Portal:Rock music

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The Rock Music Portal

Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a ⁴
₄ time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock, which extended artistic elements, and glam rock, which highlighted showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.

From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. (Full article...)

General images - load new batch

The following are images from various rock music-related articles on Wikipedia.

Image 1Drum notation for a backbeat (from Hard rock)
Image 2The Who on stage in 1975 (from Hard rock)
Image 3Aerosmith performing at Quilmes Rock in Buenos Aires, Argentina on April 15, 2007 (from Hard rock)
Image 4Led Zeppelin live at Chicago Stadium, January 1975 (from Hard rock)
Image 5Kiss onstage in Boston in 2004 (from Hard rock)
Image 6Elvis Presley in a promotion shot for Jailhouse Rock in 1957 (from Rock and roll)
Image 7Foo Fighters performing an acoustic show in 2007 (from Hard rock)
Image 8Sign commemorating the role of Alan Freed and Cleveland, Ohio, in the origins of rock and roll (from Rock and roll)
Image 9Little Richard in 1957 (from Rock and roll)
Image 10Nirvana were at the forefront of the 1990s grunge era. (from Hard rock)
Image 11Wolfmother, 2007 (from Hard rock)
Image 12Big Joe Turner and Pete Johnson's record "Roll 'Em Pete" is regarded as a precursor to rock and roll. (from Rock and roll)
Image 13Golden Earring receives a gold record in 1970. (from Hard rock)
Image 14Poison, seen here in 2008, were among the most successful acts of the 1980s glam metal era. (from Hard rock)
Image 15Bill Haley and his Comets performing in the 1954 Universal International film Round Up of Rhythm (from Rock and roll)
Image 16Buddy Holly and his band, the Crickets (from Rock and roll)
Image 17"There's No Romance in Rock and Roll" made the cover of True Life Romance in 1956. (from Rock and roll)
Image 18Baker, Bruce and Clapton of Cream, whose blues rock improvisation was a major factor in the development of the genre (from Hard rock)
Image 19Tommy Steele, one of the first British rock and rollers, performing in Stockholm in 1957 (from Rock and roll)
Image 20Chuck Berry in 1957 (from Rock and roll)
Image 21Rush on stage in Milan, Italy, 2004 (from Hard rock)
Image 22Original member Izzy Stradlin' on stage with Guns N' Roses in 2006 (from Hard rock)

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The Monks, referred to by the name monks on record sleeves, were an American rock band formed in Gelnhausen, West Germany, in 1964. Assembled by five American GIs stationed in the country, the group grew tired of the traditional format of rock, which motivated them to forge a highly experimental style characterized by an emphasis on rhythm over melody, augmented by the heavy use of distortion. The band's unconventional blend of shrill vocals, confrontational lyrics, feedback, and guitarist David Day's six-string banjo baffled audiences, but music historians have since identified the Monks as one of the most innovative rock bands of their time. The band's lyrics often voiced objection to the Vietnam War and social alienation, prefiguring the harsh and blunt social and political commentary of the punk rock movement. The band's appearance was considered as shocking as their music, as they attempted to mimic the look of Catholic monks by wearing black habits with cinctures symbolically tied around their necks, and hair worn in partially shaved tonsures.

In late 1964, while known as the Torquays, the band issued the self-financed single "There She Walks"; however, the release barely hinted at the music the group would record the following year. With the help of a German management team, they decided to change their name to the Monks and released the "Complication" single to coincide with the distribution of their one and only studio album, Black Monk Time, in May 1966 via Polydor Records. Though the album and additional singles issued throughout 1966 and 1967 achieved limited success at the time, they have since become highly regarded amongst music enthusiasts and commentators.

A few days after the release of the compilation album Five Upstart Americans in 1999, all five of the original band members held a reunion concert at the Cavestomp festival in New York City, followed by sporadic touring in the 2000s. The band has acquired a cult following as a result of the newfound interest in Black Monk Time and appearances on several compilations, most notably the 1998 expanded version of Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968. Punk rock bands and acts of other genres from the 1980s and 1990s, such as the Dead Kennedys, the Fall, and the Beastie Boys, have credited the Monks as an influence on their music. (Full article...)

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Patricia Lee Smith (born December 30, 1946) is an American singer, songwriter, poet, painter, and author whose 1975 debut album Horses made her an influential member of the New York City-based punk rock movement. Smith has fused rock and poetry in her work. In 1978, her most widely known song, "Because the Night", co-written with Bruce Springsteen, reached 13th on the Billboard Hot 100 chart and fifth on the UK Singles Chart.

In 2005, Smith was named a Commander of the Ordre des Arts et des Lettres by the French Ministry of Culture. In 2007, she was inducted into the Rock and Roll Hall of Fame. In November 2010, Smith won the National Book Award for her memoir Just Kids, written to fulfill a promise she made to Robert Mapplethorpe, her longtime partner. She is ranked 47th on Rolling Stone magazine's 100 Greatest Artists of All Time, published in 2010, and was awarded the Polar Music Prize in 2011. (Full article...)

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The Velvet Underground & Nico is the debut studio album by the American rock band The Velvet Underground and the German singer Nico, released in March 1967 through Verve Records. It was recorded in 1966 while the band were featured on Andy Warhol's Exploding Plastic Inevitable tour. The album features experimental performance sensibilities and explicit lyrical topics, including drug abuse, prostitution, sadomasochism and sexual deviancy.

The Velvet Underground & Nico underperformed in sales and polarized critics on release due to its abrasive, unconventional sound and controversial lyrical content, but later became regarded as one of the most influential albums in rock and pop music and one of the greatest albums of all time. Described as "the original art-rock record", it was a major influence on many subgenres of rock music and alternative music, including punk, garage, krautrock, post-punk, noise rock, shoegaze, goth, and indie. In 1982, English musician Brian Eno quipped that while the album only sold approximately 30,000 copies in its first five years, "everyone who bought one of those 30,000 copies started a band".

The album was ranked number 13 on Rolling Stone's list of the "500 Greatest Albums of All Time" in 2003, and 23 on the 2020 updated list. In 2006, it was inducted into the National Recording Registry by the Library of Congress for being "culturally, historically, or aesthetically significant". (Full article...)

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"Where the Streets Have No Name" is a song by Irish rock band U2. It is the opening track from their 1987 album The Joshua Tree and was released as the album's third single in August 1987. The song's hook is a repeating guitar arpeggio using a delay effect, played during the song's introduction and again at the end. Lead vocalist Bono wrote the lyrics in response to the notion that it is possible to identify a person's religion and income based on the street on which they lived, particularly in Belfast. During the band's difficulties recording the song, producer Brian Eno considered erasing the song's tapes to have them start from scratch.

"Where the Streets Have No Name" was praised by critics and became a commercial success, peaking at number thirteen in the US, number fourteen in Canada, number ten in the Netherlands, and number four in the United Kingdom. The song has remained a staple of their live act since the song debuted in 1987 on The Joshua Tree Tour. The song was performed on a Los Angeles rooftop for the filming of its music video, which won a Grammy Award for Best Performance Music Video. (Full article...)

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Credit: Carlos Delgado CC-BY-SA

Paweł Mąciwoda, bassist of German rock band Scorpions, in Madrid, Spain in 2014.

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Did you know (auto-generated)

... that the Diaspora Yeshiva Band infused rock and bluegrass with Jewish lyrics, creating a music style it called "Hasidic rock" or "Country and Eastern"?
... that the heavy metal band Cradle of Filth released a T-shirt that was so offensive that several people were arrested for wearing it?
... that Dutch radio and TV presenter Hanneke Kappen presented the second Dutch radio show dedicated to heavy metal music?
... that the British rock musician Hannah Grae went viral online with an anti-sexual harassment parody of Aqua's "Barbie Girl"?
... that the neofolk album The Lone Furrow features several guest vocalists from heavy metal bands, and critics thought it might appeal to fans of that genre?
... that Skálmöld & Sinfóníuhljómsveit Íslands documents a symphony orchestra playing heavy metal music?

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The new wave of British heavy metal (commonly abbreviated as NWOBHM) was a nationwide musical movement that started in England in the mid-1970s and achieved international attention by the early 1980s. Editor Alan Lewis coined the term for an article by Geoff Barton in a May 1979 issue of the British music newspaper Sounds to describe the emergence of new heavy metal bands in the mid to late 1970s, during the period of punk rock's decline and the dominance of new wave music. (Full article...)